Damian Lewis and Sophie Okonedo return to the West End to star in the darkly comic masterpiece, Edward Albee’s The Goat, Or Who Is Sylvia?
Martin is at the pinnacle of life: he has a loving wife and son, a hugely successful career as an architect, and the commission of a lifetime, but when he embarks upon an improbable and impossible love affair from which there is no return, familial relationships begin to collapse.
Former Royal Court Artistic Director Ian Rickson directs this late classic that is full of Albee’s characteristically sharp wit for a strictly limited season at the Theatre Royal Haymarket from 24 March 2017
The Goat, or Who Is Sylvia?
Directed by Ian Rickson
Theatre Royal Haymarket, Haymarket, London SW1Y 4HT
First preview: 24th March 2017
Opening Night: 5th April 2017 at 7pm
Final performance: 24th June 2017
Monday – Saturday at 7.30pm
Thursday and Saturday at 3pm
There will be no performances from 29th May – 4th June 2017
Theatre Royal Haymarket
1720 – Carpenter John Potter builds the theatre, on the site of the King’s Head and a gunsmith shop.
1729 – Performed for 30 nights was Hurlothrumbo. During the 1730s Henry Fielding produced several satires attacking both leading political parties, as well as the Royal Family, which so incensed the government of the day that censorship of plays by the Lord Chamberlain was introduced in 1737 – the act was not revoked until September 1968.
1737 – Under the reign of George II, the Licensing Act became law, British citizens attended the theatre in large numbers to voice their grievance which caused the riot act to be enforced by the British Grenadiers and resulted in the closure of the theatre.
1794 – Many people were injured and twenty people died, when a large crowd pushed to see His Majesty who was attending an evening performance.
1820/21 – The old Playhouse was closed and a new theatre was erected slightly further to the south, giving a pleasing view from St James Square. Designed by the Royal Court Architect John Nash during the remodelling of Regents Park and Regent Street.
1853 – 200 successful productions lead to John Baldwin Buckstone becoming a star.
1862 – Four hundred nights of Our American Cousin with Edward Southern as Lord Dundreary, adding the word ‘dreary’ to the dictionary. John Buckstone makes a profit of more than £30,000.
1873 – 2:00pm Matinees are introduced, which is a new concept to the theatre
1879 – Ownership of the theatre was taken over by the Bancrofts. Auditorium reconstructed which enclosed the stage in the first complete picture frame proscenium. The removal of the pit with the introduction of stalls-seating separated by plain iron arms set a formidable precedent and caused a small riot.
1881 Making her debut at the theatre is Lily Langtry.
1893 – The premiere of the first comedy by Oscar Wilde, A Woman of No Importance, and then An Ideal Husband.
1904 – The Theatre closed for re-laying of the foundations front of curtain, which were designed by Stanley Peach.
1939 – Overseen by Stuart Watson the stalls bar was excavated for work to commence, but then not completed until 1941 due to the start of the war. The Circle and Love for Love, followed by Hamlet, are part of a repertory season by John Gielgud.
1962 – School for Scandal directed by John Gielgud, with Ralph Richardson, Margaret Rutherford, Anna and Daniel Massey, together with The Tulip Tree with Celia Johnson, John Clemente and Lynn Redgrave.
1981 – Impresario Louis Michaels dies. Theatre owned by Louis Michaels Ltd, with Chairman Arnold M Crook and President Enid Chanelle.
1994 – 1.3 million pounds are invested in major refurbishment work consuming twelve hundred books (each containing 25 x 80mm square sheets) of twenty-four carat English gold leaf. Work includes refurbishment and reinforcement of the stage roof trusses which were installed in 1821. Joseph Harker’s ceiling is restored, and painstaking cleaning of two thousand lead crystals in a central chandelier, additonally there was new carpet, upholstery, hand-blocked wallpapers, marble polishing and also air-conditioning.
The theatre has a solid reputation for presenting high quality plays – and the actors and actresses who have appeared over the years reads like a who’s who of British theatre.
When you visit the theatre you might just see Buckstone, a friend of Charles Dickens and manager of the Haymarket from 1853-1879, as his ghost is allegedly still seen in the auditorium and dressing rooms, watching over his beloved Haymarket.
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